Born in Montreal and shaped by the tactile traditions of Musique Concrète and Romanian minimalism, Luminescu (aka Louis Kutarba) has long operated at the edges of electronic music’s more psychedelic and exploratory currents. Drawing influence from figures like Ricardo Villalobos, Herck, and Pierre Henry, his productions feel less concerned with genre and more with sensation – energized by ritualistic rhythms, textural detail, and a shamanic pull. 

Since settling in Montreal in 2015, Luminescu has honed this language across more than 100 performances at institutions like Salon Daomé, Stereobar, and Illusion Festival, steadily refining a sound that privileges intuition over structure.

On his debut album, ‘Onirythmies I – Rêveries Australes,’ that instinctive approach becomes a conceptual framework. Conceived during a 10-month journey through Australia – with further impressions gathered in Thailand and Bali – the record unfolds as a meditation on dreaming as both process and object. 

Here, dream logic is translated into sound: motifs morph and reappear, time folds in on itself, and perspective remains deliberately unstable. Echoes of Kafka’s metamorphosis, Borges’ labyrinths, and Breton’s surrealist recursion surface not as references but as compositional strategies, guiding the music through symbolic density and emotional primacy. 

Out today on Montreal’s own Archipel, the result is an album that feels less like a linear narrative and more like a drifting inner landscape – one where travel, memory, and electronic experimentation blur into a single, immersive state.

The ‘Onirythmies I – Rêveries Australes’ album is available here