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Meera

Several Definitions heads back to Coal Temple with heartfelt two-tracker ‘Power of Love’

Yannick Müller

Select Cuts 384 mixed by Yannick Müller

Floyd Lavine completes HE.SHE.THEY.’s 5th anniversary VA with thought-provoking single, ‘Bold’

Brian Aneurysm’s ‘Amplified’ returns with remastered reissue & fresh remixes

Cosmocities dive deep into Japan’s inventive electronic realm with ‘Denshi Ongaku No Bigaku Vol. 3’

meera heads to Cercle Records with slow-burning new cut ‘November’

Rebecca Besnos
Melodic House, Reviews
22 June 2026

‘November’ is a deeply atmospheric Melodic Breakbeat track by meera, released for Cercle Festival 2026. Inspired by Cercle’s iconic 2020 performance at Preikestolen, filmed in the artist’s hometown, the track unfolds like a slow-burning emotional journey, echoing the powerful stillness and raw energy of that moment. 

Blending haunting vocal textures, immersive pads and emotional chord progressions, ‘November’ captures meera’s signature sound while inviting listeners into a space of reflection, calm and introspection. Designed to resonate both as a solitary listening experience and within a melancholic set, the track lingers with a quiet emotional intensity long after it ends.

“To me it’s about slowing down and digesting your experiences. November is the end of the year, it’s also the month of my birthday. It’s a time for learning from the past year and looking forward. Cercle came to my hometown in 2020 and did a video on Preikestolen. November came from me attempting to channel the atmosphere up on the rock that day.” – meera

‘November’ is available here.

Related

Several Definitions heads back to Coal Temple with heartfelt two-tracker ‘Power of Love’

Yannick Müller

Select Cuts 384 mixed by Yannick Müller

Floyd Lavine completes HE.SHE.THEY.’s 5th anniversary VA with thought-provoking single, ‘Bold’

Brian Aneurysm’s ‘Amplified’ returns with remastered reissue & fresh remixes

Cosmocities dive deep into Japan’s inventive electronic realm with ‘Denshi Ongaku No Bigaku Vol. 3’

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